"This quartet’s taste in repertoire runs toward post-Minimalist composers who work with melody — and an edge. The pop-style rhythmic fury of Judd Greenstein’s “Four on the Floor” is exhilarating. Annie Gosfield’s “The Blue Horse Walks on the Horizon” shows some of the same dramatic flair as her recent opera for the Los Angeles Philharmonic." S.C.W.

By ANTHONY TOMMASINI, JAMES R. OESTREICH, DAVID ALLEN, SETH COLTER WALLS and JOSHUA BARONE from The New York Times