Kevin Deas has gained international renown as one of America’s leading bass-baritones. He is perhaps most acclaimed for his signature portrayal of the title role in Porgy and Bess, having performed it with the New York Philharmonic, Philadelphia Orchestra, National Symphony, St. Paul Chamber Orchestra, Pacific Symphony, as well as the most illustrious orchestras on the North American continent, and at the Ravinia, Vail and Saratoga festivals. In the 2017-18 season he is soloist in Beethoven’s Missa Solemnis with VoxAmaDeus, in Mozart’s Requiem with Boston Baroque, Handel’s Messiah at the National Cathedral, and Bach’s St. Matthew Passion at Madison Avenue Presbyterian Church (NYC). He also sings the title role in Porgy and Bess with Duisberg Phiharmoniker; in Porgy and Bess: A Symphonic Picture with the Reading Symphony Orchestra, and sings in Bernstein’s Wonderful Town with the Seattle Symphony; and is soloist with the Delaware Symphony, and with the PostClassical Ensemble, with which he is Artist in Residence.

Engagements during the 2016-17 season included Messiah with the Houston Symphony, Rochester Philharmonic and National Cathedral; Vaughn Williams’ Dona Nobis Pacem with the Richmond Symphony, Verdi’s Requiem with the Virginia Symphony, Puccini’s Messa di Gloria with the Bach Festival Society of Winter Park, Walton’s Belshazzar’s Feast with the Buffalo Philharmonic, Elgar’s The Dream of Gerontius with the Jacksonville Symphony, Haydn’s Lord Nelson Mass with Baltimore Choral Arts Society, Mozart’s Requiem with VoxAmaDeus, The Trumpet Shall Sound with the PostClassical Ensemble, and Rachmaninoff’s The Bells with JoAnn Falletta at SUNY Potsdam.

Recent successes include Beethoven’s Symphony No. 9 with the Bach Festival Society of Winter Park, the Pacific, Phoenix, Colorado, Elgin, North Carolina, Pacific, and Richmond symphonies, Boston Baroque, Buffalo, Calgary and Louisiana philharmonics, and the National Arts Centre Orchestra; Haydn’s Lord Nelson Mass, Duruflé’s Requiem and a concert of Bach Cantatas with the National Philharmonic; Messiah with Pacific MusicWorks, also the Alabama Symphony; Frank Martin’s Golgotha with the New Amsterdam Singers; Brahms’ Requiem with VoxAmaDeus; Mozart’s Requiem with the Baltimore Choral Arts Society; and Elgar’s The Apostles with the Bucks County Choral Society.

He has performed Verdi’s Requiem with the Richmond and Winnipeg symphonies and the National Philharmonic; Messiah with Boston Baroque, the Cleveland Orchestra, Seattle and Kansas City symphonies, the National Philharmonic, and at the Warsaw Easter Festival; Mozart’s Requiem with the Alabama and Vermont symphonies; Bach’s St. Matthew Passion with the Grand Rapids Symphony and the Oratorio Society of New York; St. John Passion with the Bach Festival Society of Winter Park and Orquesta Sinfónica Nacional de Mexico; Ravel’s L’enfant et les sortilèges with the New York Philharmonic; and Copland’s Old American Songs with the Chicago and Columbus symphonies.

A strong proponent of contemporary music, Kevin Deas was heard at Italy’s Spoleto Festival in a new production of Menotti's Amahl and the Night Visitors in honor of the composer's eighty-fifth birthday, recorded on video for international release. He also performed the world premieres of Derek Bermel’s The Good Life with the Pittsburgh Symphony and Hannibal Lokumbe’s Dear Mrs. Parks with the Detroit Symphony. His twenty-year collaboration with the late jazz legend Dave Brubeck has taken him to Salzburg, Vienna and Moscow in To Hope! He performed Brubeck’s Gates of Justice in a gala performance in New York.

Kevin Deas recorded Wagner’s Die Meistersinger (Decca/London) with the Chicago Symphony under the late Sir Georg Solti, and Varèse's Ecuatorial with the ASKO Ensemble under the baton of Riccardo Chailly. Other releases include Bach's Mass in B Minor and Handel's Acis and Galatea (Vox Classics); Dave Brubeck's To Hope! with the Cathedral Choral Society (Telarc); and Haydn's Die Schöpfung with the Virginia Symphony and Boston Baroque (Linn Records). Dvorák in America (Naxos), features Mr. Deas in the world premiere recording of Dvorák’s “Hiawatha Melodrama” and the composer’s own arrangement of “Goin’ Home” with the PostClassical Ensemble.


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