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---> l i e d e r - r e p e r t o i r e
---> r e p e r t o i r e - f a v o r i t e s
---> r ev i e w s
---> w e b s i t e
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---> write to Manager
Jane Marsh, soprano.


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 Born in San Francisco. Graduate of Oberlin College/Conservatory. Described as a "UNIVERSALLY BRILLIANT SINGER." Invited by "White House" to represent U.S. in International Tchaikovsky Competition in Moscow. First singer to win the Gold Medal in that competition. Debut in opera in Europe: Spoleto, Italy (Desdemona in Verdi's "Otello") at the FESTIVAL OF TWO WORLDS, under Thomas Schippers (conductor-director). Debut in opera in the USA: Pamina in Mozart's "Zauberflöte" with the San Francisco Opera. Many further roles sung in Italy and San Francisco.

Operas and concerts sung in the USA and Europe with conductors, such as: Leinsdorf, Ormandy, Maazel, Pritchard, Patané, Kubelik, Matacic, Aronowitch, Karajan, Blomstedt, Klobucar, Böhm, Albrecht, Ozawa, Plasson, Bernstein, Schippers, Slatkin, Gui, Molinari-Pradelli, Khaikin, Erede, Zinman, Frübeck de Burgos, Zagrosek, Stein.

Recipient of the New York Handel - Medaille (Leontyne Price and Maria Callas were awarded this) for special and exceptional contribution to the world of music: Presidential Award from White House, Washington, D.C.; Mademoiselle Magazine's Special Achievement Award; 4-H High Achievement Award, Time/Life Award, Keys to cities of San Francisco/New York.

Engagement at the opera house in Düsseldorf. Guest appearances at La Fenice (Venice), San Carlo (Naples), Triest, Parma, Palermo, Turin, Rome, Florence, Milano, and all the major opera centers of Italy, the Munich, Hamburg and Vienna State Opera Companies, West and East Berlin opera houses, Dresden, Amsterdam, Madrid... in well known roles, such as Mozart's Fiordiligi ("Cosi fan tutte"), the Countess ("Figaro"), Donna Elvira and Donna Anna ("Don Giovanni"), Elettra ("Idomeneo"), Vitellia in ("Clemenza di Tito"); Verdi roles, such as: Violetta ("Traviata"), Elisabetta ("Don Carlo"), Amelia and Desdemona ("Simon Boccanegra" and "Otello") Leonora, Abigaille, Lady Macbeth ("Forza", "Nabucco", "Macbeth"; Wagner and Strauss roles, such as: Sieglinde ("Walkure"), Daphne, Liebe der Danae ("Danae"), Rosenkavalier ("Marschallin"), Tchaikovsky's: "Eugene Onegin," "Pique Dame," "Maid of Orlean," Rimsky Korsakov's "Invisible City of Kitisch," Norma (Bellini), not to mention the numerous unknown roles created, many for radio.

Guest at international festivals in London, Perugia (Sagra Umbra), Florence (Maggio Musicale), USA (New York, Detroit, Worchester Festival) Ossiach (Carinthischer Sommer Festival),Steirischer Herbst (Graz), Bruckner Festival in Linz. In Salzburg, at the Salzburg Festival, Mozart's "Zauberflöte", under Herbert von Karajan, as well as Carl Orff's World Premiere of "De Temporum Fine Comoedia", also under Karajan, "Missa Solemnis" (Beethoven) and Britten's "War Requiem", Otmar Schoeck's "Pentisilea", under Gerd Albrecht.

Appeared on television in the USA: with satirist Art Buchwald in Washington D.C., Ed Sullivan in New York. Variety shows from Hollywood with Bing Crosby, Andy Williams, George Burns, Danny Kaye. Live from Tanglewood Festival, a concert with Boston Symphony and conductor Erich Leinsdorf-excerpts from "Eugene Onegin" (Tchaikovsky) and "Aida" (Verdi).

International European TV and radio - appearances and recordings: Italy( RAI), Austria (ORF), Germany (WDR, NDR, Bayerischer Rundfunk), London (BBC), Dutch, Spanish and Scandinavian radio and TV — Networks…
as Guest Artist and Show — Moderator.

Records with RCA Victor, Deutsche Grammophon, Melodia, Stil, ORF, Opera D’Oro, Orfeus.

World Premieres: Rorem song cycle — NY Philharmonic (Neumann); von Einem song cycles — Erich Werba, Gerd Ohlssen (accompanists), ORF Orchestra, Vienna Symphony (Wahlberg); Orff Opera — WDR Symphony Orchestra, Bayerische Rundfunk (Karajan, Kubelik).

Overwhelming success as Handel stylist in such roles as: Cleopatra (Giulio Cesare), Semele, Alcina, Deidamia, in Great Britain, Germany, Italy, U.S.A.

Also much success as Lieder singer and Lied coach: Miss Marsh has sung international Lieder recitals throughout Europe, South Africa and parts of the USA. Such programs as: Rossini/Poulenc/DeFalla, Tchaikovsky/Rachmaninoff, Schubert/Schumann, complete Strauss and complete Wolf programs, Hindemith' s "Marienleben", "Potpouri of Delicacies" (20 songs/20 composers), "American Songs & Encores"; programs using themes, such as: "Great Women in History", "Theme of Goethe", "Christmas Theme" (from famous composers); Miss Marsh also introduced "Super Titles" for the first time into the concert hall.

A particularly wide range of Opera, Concert, Oratorio, and Lieder is covered by this artist, in which she also conducts Master Classes, a result of which has led to much success as an Interpretation Coach and Advisor to singers launching new careers and/or new images to their careers.

Judge, Mistress of Ceremonies and advisory committee for international competitions.


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TELEVISION IN USA
Johnny Carson Show - Musical Theater / Opera
Mike Douglas Show - Musical Theater / Opera
Merv Griffin Show - Musical Theater
Red Skelton Show - Musical Theater / Opera
Hollywood Palace - Opera
Bing Crosby Hour - Musical Theater
George Burns Special - Musical Theater / Opera
Hollywood Christmas Special - Christmas Arrangements
Bell Telephone Hour (Tanglewood) - Opera

TELEVISION IN EUROPE
East Berlin Staatsoper Special (Germany) –Opera
Hermann Prey Show (Munich) - Opera
Marcel Prawy Show (Vienna) - Opera / Discussion
Scenes and Monologues (BBC London) - Opera, Songs
Verdi "Otello" (BBC London) - Commentary / Opera

VOICEOVER
Documentary
"Sports Racing and Toy Cars" - Lowell / Skarda Associates

GUEST APPEARANCES AT WORLD'S MAJOR INTERNATIONAL CENTERS AND FESTIVALS
Opera
Major works: Baroque, Bel Canto, Mozart ,Czech, Russian, Strauss, Verdi, and Wagner, Modern/Contemporary

Oratorio
Major works: Bach Beethoven, Brahms, Britten, Bruckner, Dvorak, Handel, Mahler, Mendelssohn, Mozart, Strauss, Verdi, Wagner, Modern/Contemporary

Recitals
Programs: Mahler, Hindemith, Rossini / Poulenc / de Falla, Schubert / Schumann, Strauss, Tchaikovsky/Rachmaninoff, Wolf
Themes: Christmas, Great Women in History, Life of Maria, Spanish Songbook, Potpouri of Delicacies

Recordings
Radio Productions: Austria, Britain, Germany, Holland, Italy, Scandinavia,Spain, and Russia
Records: Deutsche Grammophon, Melodia, ORF, RCA, Stil,
Opera D’Oro, Orfeus

AWARDS
New York Handel Medaille (Special Contribution to Music World)
International Tchaikovsky Competition (First Singer to win Gold Medal in voice)
Presidential Award from White House
US World Achievement Award
Time / Life Merit Award
Mademoiselle Magazine Special Merit Award
Key to New York City
Key to San Francisco

TRAINING
Singing: Oberlin College / Conservatory
Acting: Elisabeth Holloway School

SPECIAL SKILLS / INTERESTS
Languages: German, Italian, French, and Russian . . all dialects
Sports: Horses, Swimming, Skiing
Body Language: Movement on Stage

MASTER CLASSES ( Opera / Songs )
New York, San Francisco, Los Angeles, Siena, Palermo, Como, Rome, Klagenfurt, Zürich

LECTURER & LECTURES: San Francisco State University, Santa Rosa State College, Marymount College, Columbia University, Juilliard School

MEMBER; SAG, AGMA


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Bellini - Norma - Norma

Boito - Mefistofile - Margarita, Helena

Cilea - Adriana Lecouvreur - Adriana

Donizetti - Anna Bolena - Anna

Handel - Alcina - Alcina
Handel - Deidamia - Deidamia, Achille
Handel - Giulio Cesare - Cleopatra
Handel - Semele - Semele

Monteverdi - LIncoronazione di Poppea - Poppea

Mozart - Così fan Tutte - Fiordiligi
Mozart - Die Entführung aus dem Serail - Konstanze
Mozart - Le Nozze di Figaro - Contessa
Mozart - Don Giovanni - Donna Anna/Donna Elvira
Mozart - Mitridate, Re di Ponto - Ismene
Mozart - La Clemenza di Tito - Vitellia
Mozart - Idomeneo - Elettra

Paer - Leonora - Leonora (Fedele)

Ponchielli - La Gioconda - Gioconda

Poulenc - Dialogue of the Carmelites - Mme.Lidoine

Puccini - Tosca - Tosca
Puccini - La Bohème - MimI
Puccini - Suor Angelica - Suor Angelica
Puccini - Turandot - Liu
Puccini - La Bohème - Musetta
Puccini - La Fanciulla del West - Minnie
Puccini - Manon Lescaut - Manon

Rimsky Korsakoff - Invisible City of Kitish - Fevronia

Strauss, J. - Die Fledermaus - Rosalinde

Strauss, R. - Arabella - Arabella
Strauss, R. - Daphne - Daphne
Strauss, R. - Liebe der Danae
Strauss, R. - Der Rosenkavalier - Marschallin
Strauss, R. - Elektra - Chrysothemis
Strauss, R. - Ariadne - Ariadne

Tchaikovsky - Jeanne D’Arc - Agnes Sore!, Jeanne
Tchaikovsky - Eugene Onegin - Tatyana
Tchaikovsky - Pique Dame - Lisa

Verdi - La Forza del Destino - Leonora
Verdi - Otello - Desdemona
Verdi - Don Carlo(s) - Elisabetta
Verdi - Simone Boccanegra - Amelia
Verdi - La Traviata - Violetta
Verdi - Il Trovatore - Leonora
Verdi - Aida - Aida
Verdi - Attila - Odabella
Verdi - I Due Foscari - Lucrezia
Verdi - Giovanna D’ Arco - Giovanna
Verdi - Un Ballo in Maschera - Amelia
Verdi - Macbeth - Lady Macbeth
Verdi - Nabucco - Abigaille

Wagner - Die Meistersinger - Eva
Wagner - Das Rheingold - Freia
Wagner - Parsifal - Kundry
Wagner - Lohengrin - Elsa
Wagner - Tannhäuser - Elisabeth
Wagner - Die Walküre - Sieglinde

Weber - Euryanthe - Euryanthe
Weber - Der Freischlltz - Agathe


OPERATIC REPERTOIRE PERFORMED

Bellini - Norma - Norma

Boito - Mefistofile - Margarita, Helena

Cilea - Adriana Lecouvreur - Adriana

Handel - Alcina - Alcina
Handel - Deidamia - Deidamia, Achille
Handel - Giulio Cesare - Cleopatra

Monteverdi - L’ Incoronazione di Poppea - Poppea

Mozart - Così fan Tutte - Fiordiligi
Mozart - Die Entführung aus dem Serail - Konstanze
Mozart - Le Nozze di Figaro - Contessa
Mozart - Don Giovanni - Donna Anna/Donna Elvira
Mozart - Mitridate, Re di Ponto - Ismene
Mozart - La Clemenza di Tito - Vitellia
Mozart - Idomeneo - Elettra

Paer - Leonora - Leonora (Fedele)

Puccini - Tosca - Tosca
Puccini - Suor Angelica - Suor Angelica
Puccini - La Fanciulla del West - Minnie
Puccini - Manon Lescaut - Manon

Poulenc - Dialogue of the Carmelites - Mme.Lidoine

Strauss, J. - Die Fledermaus - Rosalinde

Strauss, R. - Arabella - Arabella
Strauss, R. - Daphne - Daphne
Strauss, R. - Liebe der Danae
Strauss, R. - Der Rosenkavalier - Marschallin
Strauss, R. - Elektra - Chrysothemis
Strauss, R. - Ariadne - Ariadne

Tchaikovsky - Jeanne D' Arc - Agnes Sore!, Jeanne
Tchaikovsky - Eugene Onegin - Tatyana
Tchaikovsky - Pique Dame - Lisa

Verdi - La Forza del Destino - Leonora
Verdi - Otello - Desdemona
Verdi - Don Carlo(s) - Elisabetta
Verdi - Simone Boccanegra - Amelia
Verdi - Il Trovatore - Leonora
Verdi - Aida - Aida
Verdi - Attila - Odabella
Verdi - I Due Foscari - Lucrezia
Verdi - Giovanna D' Arco - Giovanna
Verdi - Un Ballo in Maschera - Amelia
Verdi - Macbeth - Lady Macbeth
Verdi - Nabucco - Abigaille

Wagner - Die Meistersinger - Eva
Wagner - Das Rheingold - Freia
Wagner - Parsifal - Kundry
Wagner - Lohengrin - Elsa
Wagner - Tannhäuser - Elisabeth
Wagner - Die Walküre - Sieglinde

Weber - Euryanthe - Euryanthe
Weber - Der Freischütz - Agathe


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Bach - Cantatas

Barber - Knoxville Summer *
Barber - Andromache's Farewell*


Beethoven - Symphony No. 9
Beethoven - Missa Solemnis
Beethoven - Christus am Ölberg
Beethoven - Egmont
Beethoven - Leonore (#1 Fideleo)

Berg - Sieben Frühen Lieder

Berlioz - Nuits d'été

Brahms - Liebeslieder Walzer

Britten - War Requiem

Bruckner - Te Deum

Dvorak - Stabat Mater
Dvorak - Requiem

Donizetti - Requiem

Gluck - Armida

Handel - Deidamia
Handel - Alcina

Haydn - Konzertarien (Concert Arias)

Honegger - Jeanne d’ Arc au Bûcher

Liszt - Christus

Mahler - II, IV, VIII Symphonies
Mahler - Des Knaben Wunderhorn

Martin - Requiem
Martin - Golgatha

Mendelssohn - Elijah
Mendelssohn - Paulus
Mendelssohn - Loreley

Messiaen - Poèmes pour mi

Mozart - Exultate Jubilate
Mozart - Requiem
Mozart - Konzertarien (Concert Arias)

Orff - De Temporum Fine Comoedia

Ravel - Shéhérazade

Pergolesi - Stabat Mater

Poulenc - Voix Humaine*

Rimsky-Korsakov - Invisible City of Kitish

Rorem - Sun (Lieder)

Rossini - Stabat Mater

Schmidt - Das Buch des Sieben Siegeln

Schoeck - Pentisilea

Schoenberg - Gurre Lieder

Strauss, R. - Vier Letzte Lieder
Strauss, R. - Salome (Final Scene)

Stravinsky - Les Noces

Traetta - La Sofonisba

Turina - Canto a Sevilla

Vivaldi - Gloria

Von Einem - Lieder von der Liebe

Verdi - Requiem

Wagner - Wesendonck Lieder

Wellesz - Duineser Elegie, Vision


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Song (Lieder) Recitals

Mozart / Liszt / Rachmaninoff / Rorem / Dvorak

Brahms / Strauss / Tchaikovsky / Rachmaninoff

Schubert / Wolf (Theme Goethe)

Schubert / Schumann (Assorted Lieder)

Schumann Program (Frauenliebe und Leben, and Assorted)

Wolf Program (Spanisches Liederbuch, Mörike, Goethe, Italienisches Liederbuch, Assorted Poets )

Wolf Program (Spanisches Liederbuch - Religious, Worldly Songs)

French / Italian / Spanish Program (Rossini, Poulenc, Ravel, de Falla)

Mahler Program (Des Knaben Wunderhorn — Jugend and Orchestra Lieder)

Hindemith Program (Marienleben - #2 Edition Complete)

Potpouri of Delicacies (20 Songs / 20 Composers)



Christmas Program(s)

Mahler

Wolf

Hindemith

Reger

Strauss

Humperdinck

Cornelius

Handel

International



Lied Program using "Supertitles."


Quartet (String)

Il Tramonto (Respighi)

Mörike Lieder (Wolf)


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O p e r a

Bellini - Norma – Norma,

Handel - Alcina
Handel - Deidamia - Deidamia, Achille

Mascagni – Cavalleria Rusticana – Santuzza

Mozart - Don Giovanni - Donna Anna/Donna Elvira
Mozart - La Clemenza di Tito - Vitellia

Ponchielli – La Gioconda - Gioconda

Poulenc - Dialogue of the Carmelites - Mme. Lidoine

Puccini - La Fanciulla del West - Minnie
Puccini - Manon Lescaut – Manon

Rimsky Korsakov – Tsar’s Bride (Marfa)

Strauss, R. - Der Rosenkavalier - Marschallin
Strauss, R. – Die Frau ohne Schatten - Kaiserin

Tchaikovsky - Jeanne D'Arc - Agnes Sorel, Jeanne
Tchaikovsky - Pique Dame – Lisa

Verdi - La Forza del Destino - Leonora
Verdi - Otello - Desdemona
Verdi - I Due Foscari - Lucrezia
Verdi - Macbeth - Lady Macbeth

Wagner - Tannhäuser – Elisabeth/Venus (together)


O r c h e s t r a

Barber - Andromache's Farewell

Beethoven – Konzerarie Concert Aria) -
“Ah, Perfido“
Beethoven – Leonore ( Leonore )
Beethoven - Missa Solemnis

Berg - Sieben Frühen Lieder

Berlioz - Nuits d'étés

Britten - War Requiem

Dvorak - Requiem

Haydn - Konzertarie (Concert Aria ) –
“Scena di Berenice”

Mahler – Kindertoten Lieder
Mahler - IV, VIII Symphonies
Mahler - Des Knaben Wunderhorn Lieder

Massenet – Le Cid ( Chimene )

Messiaen - Poèmes pour mi

Mozart - Konzertarien (Concert Arias) –
“Non temer amante bene” – ( with solo violin )
“Ch’io mi scordi” – ( with solo piano )

Ravel – Shéhérazade

Refice – Cecilia ( Cecilia )

Strauss, R. - Vier Letzte Lieder

Tchaikovsy – Eugene Onegin ( Act I/ II Duets (Scenes) Tatiana/Onegin )

Verdi - Requiem

Wagner – Tristan ( Act II ) (Isolde)

Weber – Euryanthe ( Euryanthe )

Wellesz - Duineser Elegie ( Soloist/Speaker )


L i e d e r

Hindemith Program (Marienleben - #2 Edition Complete)

Mahler Program (Des Knaben Wunderhorn - Jugend Lieder / and Orchestra Lieder)

Glinka / Rubinstein / Glazounov / Rimsky-Korsakov / Tchaikovsky / Strauss / American / Liszt / Rachmaninoff

Potpouri of Delicacies (20 Songs - 20 Composers – Worldly & International)

Wolf - Spanisches Liederbuch Program (Religious and Worldly Songs)

Wolf – Span. Liederbuch / Mörike / Goethe / Italienisches Liederbuch / Assorted Poets


#1) Advent & Christmas Program (s) using, among others:

Bach
Cornelius
Dvorak
Faure
Hindemith
Humperdinck
Kahn
Marx
Purcell
Reger
Respighi
Stradella
Strauss
Tchaikovsky
Wagner
Wolf

#2) Christmas Program(s): Completely Christmas - Mixed Nations or German


Lied Program using “Supertitles“ – Mahler, Brahms, Hindemith, Wolf, Strauss


Quartets String:

Il Tramonto (Respighi)

Mörike Lieder (Wolf)

Marienlieder ( Zilcher ) (Also with Voice & Piano)


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THE NEW YORK TIMES

(Hindemith's Das Marienleben in NYC, December 20, 2004)

Just singing the notes of Das Marienleben is no easy matter and Ms. Marsh
did that with care and concern. Hers is the kind of big, classical-music
soprano.

Linda Hall was Ms. Marsh's scrupulous pianist. Listeners (packed full, by the
way) obviously were grateful to hear this music in the hands of caring
professionals.


OPERA

Mo. Yuri Aronovitch made the obvious and excellent choice in Jane Marsh, who understands Rimsky-Korsakov…Fevronia suits her marvelously.


OPERNWELT

…a Violetta with that special spinto color…Verdi would certainly have applauded Jane Marsh.


THE LOS ANGELES TIMES

The limpid voiced Jane Marsh sings Puccini reminiscent of Tebaldi.


DIE PRESSE

…Soprano Jane Marsh gave Hindemith’s Marienleben immense vocal and interpretive prowess…a powerfully obvious identification with the Rilke text.


ORF RADIO

…Mahler and Jane Marsh were certainly born for each other…a complete Mahler Program introducing a new Gottfried von Einem song cycle, composed for Ms. Marsh, are already proving to be the event of the Carinthischer Sommer Festival…It seems Ms. Marsh can offer an important statement to everything she sings…Great versatility and value.


DIE SUEDDEUTSCHE ZEITUNG

The vocal and artistic statement, which Jane Marsh makes, would be hard to match in any generation.


TIME MAGAZINE

The world has not heard a voice like this since Elizabeth Rethberg and Rosa Ponselle…


CORRIERE DELLA SERA

The Leonora of Jane Marsh…engagingly warm in vocal color and a compelling stage figure.


DIE PRESSE

…Jane Marsh found the necessary Mahler tone.


LIFE MAGAZINE

Jane Marsh offers ingredients of greatness…


THE LONDON TIMES

A huge ovation for the glorious voiced Jane Marsh and Messian’s French cycle, Poemes pour mi …


DIE FRANKFURTER ALLGEMEINE

Jane Marsh proves herself to be the top of Handel singers…vocal color and Handel style in the best of traditions.


THE GUARDIAN

It is evident that Ms. Marsh possesses a vocal timbre of unusual beauty…


THE WASHINGTON POST

The beautifully voiced Jane Marsh sang with elegance and powerful agility…


NEUE ZUERCHER ZEITUNG

The Protoe of Jane Marsh, in Schoeck’s Penthesilea is beautiful in tone and artistically touching in her loyalty to the original Kleist…Strauss certainly must suit her too…


RHEINISCHE POST

A Verdi soprano to be universally celebrated is Ms. Marsh.


CORRIERE DELLA SERA

In Rossini’s Stabat Mater and the Dvorak Requiem, soprano Jane Marsh encouraged bravos…when exhibiting the…beauty, expression, and sensational command of
piano in her voice.


TIME MAGAZINE

Jane Marsh has it all…and the need and ability to transmit universal love.


HOLLYWOOD PALACE, ABC TELEVISION

Jane is a master match for any generation.


RHEINISCHE POST

Jane Marsh sang an original Advent & Christmas Recital and included some delightful and lesser-known songs by very known composers…Magical!



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