Kerson Leong has been described as “not just one of Canada’s greatest violinists but one of the greatest violinists, period” (Toronto Star). Forging a unique path since his First Prize win at the International Yehudi Menuhin Violin Competition in 2010, he continues to win over colleagues and audiences alike with “a mixture of spontaneity and mastery, elegance, fantasy, intensity that makes his sound recognizable from the first notes” (Le Monde).

His recent album for Alpha Classics featuring the solo violin sonatas by Eugène Ysaÿe was awarded the Diapason d’Or Découverte and the Choc de Classica, with Classica proclaiming him “more than a discovery, a veritable revelation” and Gramophone declaring that “his recording could be a happy first choice for any discerning listener”. His 25/26 season includes solo performances with the Milwaukee Symphony Orchestra, Missoula Symphony Orchestra, Puglia Symphony, Edmonton Symphony Orchestra, Toledo Symphony Orchestra, Orchestra della Toscana, and Les Violons du Roy among others. A sought-after soloist, he was hand-picked by Yannick Nézet-Séguin to be his artist-in-residence with the Orchestre Métropolitain during the 18/19 season.

Kerson performs on the ‘ex Bohrer, Baumgartner’ Guarneri del Gesu violin courtesy of Canimex Inc, Drummondville (Quebec), Canada.

12/2025 - PLEASE DESTROY ALL PREVIOUSLY DATED MATERIALS.
MODIFIED VERSIONS MUST BE APPROVED BY DISPEKER ARTISTS

Kerson Leong has been described as “not just one of Canada’s greatest violinists but one of the greatest violinists, period” (Toronto Star). Forging a unique path since his First Prize win at the International Yehudi Menuhin Violin Competition in 2010, he continues to win over colleagues and audiences alike with “a mixture of spontaneity and mastery, elegance, fantasy, intensity that makes his sound recognizable from the first notes” (Le Monde).

His recent album for Alpha Classics featuring the complete sonatas for solo violin by Eugène Ysaÿe was awarded the Diapason d’Or Découverte and the Choc de Classica, with Classica proclaiming him “more than a discovery, a veritable revelation” and Gramophone declaring that “his recording could be a happy first choice for any discerning listener”.

His 2025/26 season includes orchestral performances with Orchestra Della Toscana and Puglia Symphony in Italy, Izmir State Symphony and Presidential Symphony Orchestra in Turkey, Colorado, Milwaukee, Toledo and Missoula Symphony in the United States, and les Violons du Roy, Edmonton, Victoria, Quebec Symphony and Manitoba Chamber Orchestra in Canada. Leong will perform in recital with Detroit Chamber Soloists, Dallas Chamber Music Society and Market Square Concerts in the United State, with Cecilian Chamber Series in Regina, Ladies’ Morning Musical Club in Montreal, Key Meek Arts Center in Vancouver, and Mooredale Concerts in Toronto, Canada.

Recent engagements include the Oregon Symphony, Arkansas Symphony, Baton Rouge Symphony, String Orchestra of the Rockies, Tucson Symphony, Viotti Festival, Taipei Symphony Orchestra, Hamilton Philharmonic, Winnipeg Symphony, Regina Symphony, La Sinfonia de Lanaudiere, I Musici de Montreal and Violons du Roy. Recent season highlights include solo performances with such ensembles as the Royal, Oslo, Brussels, Kansai, and Liège Royal Philharmonic Orchestras, the Seattle, Singapore, Toledo, Montreal, Tucson, Bilkent, Toronto, Vancouver, Stavanger, and Wuppertal Symphony Orchestras, a tour of Sweden with the Camerata Nordica, a recital tour of the Midwestern United States, and recording John Rutter’s Visions with the composer himself and the Aurora Chamber Orchestra, after giving its world premiere in London, UK.

His latest album, featuring the Britten and Bruch violin concertos with the Philharmonia Orchestra and Patrick Hahn for Alpha Classics, was released to widespread critical acclaim, including having been awarded ‘Editor’s Choice’ by Gramophone, ‘The Strad Recommends’ by The Strad, and the ‘Choc de Classica’ by Classica as well as five-star recommendations from the Sunday Times and Diapason among others.

As a sought-after soloist, he was hand-picked by Yannick Nézet-Séguin to be his artist-in-residence with the Orchestre Métropolitain during the 18/19 season and has performed in such prestigious venues as Carnegie Hall’s Stern Auditorium, Wigmore Hall, the Auditorium du Louvre and the National Center for the Performing Arts in Beijing. As a passionate chamber musician, he has performed at such international festivals and concert series as the Verbier Festival, Rheingau Musik Festival, Gstaad Menuhin Festival, Festspiele Mecklenburg-Vorpommern, Flâneries musicales de Reims, and Bergen International Festival among others.

Passionate about pedagogy and music outreach, he has been invited to give masterclasses and teach at various festivals and universities including the Indiana University Jacobs School of Music, the Sibelius Academy in Helsinki, the University of Ottawa, Dalhousie University, Memorial University of Newfoundland, Colburn School of Music in Los Angeles, and Avos Project International School of Music in Rome. Fostering a significant audience away from the concert hall as well, he is cementing his noteworthy role in reaching young people, aspiring musicians, and potential music lovers alike with his art in creative and engaging ways on social media. He is an associate artist of the Queen Elisabeth Music Chapel in Belgium, where he was mentored by Augustin Dumay.

He has always been keen on making connections between music and other fields. Ever since his dad started introducing him to physics concepts about string resonance, they have strongly influenced his playing and philosophy on sound production. Together with his dad, he has given lectures about this subject in places such as the Central Conservatory of Music in Beijing, the Barratt-Due Music Institute in Oslo, and various universities in California.

Kerson performs on the ‘exBohrer, Baumgartner’ Guarneri del Gesu courtesy of Canimex Inc, Drummondville (Quebec), Canada.

12/2025 - PLEASE DESTROY ALL PREVIOUSLY DATED MATERIALS.
MODIFIED VERSIONS MUST BE APPROVED BY DISPEKER ARTISTS.