La Chapelle de Québec, founded by Bernard Labadie in 1985, is a nationally-based chamber choir of professional singers recruited mainly in Québec City, but also throughout Québec and Canada. It assembles for two or three concerts each season to join Les Violons du Roy in major works from the repertory for choir and orchestra, especially from the 18th century. Its performances of cantatas, oratorios and masses by Bach, Handel, Mozart and Haydn have been acclaimed throughout Canada and the United States, in particular thanks to many broadcasts by Radio-Canada, the CBC and NPR in the United States.  

Ute Lemper's career is vast and varied. She has made her mark on the stage, in films, in concert and as a unique recording artist. She has been universally praised for her interpretations of Berlin cabaret songs, the works of Kurt Weill and Berthold Brecht and the French chanson book, as well as her own compositions and the more jazz influenced collaborations and works. In the world of theater, Ute made her mark with her portrayals on Broadway, in Paris and in London's West End.

Dubbed “a major artist” by the Miami Herald and a “quiet maverick” by the Daily Telegraph, pianist Alexander Korsantia has been praised for the “clarity of his technique, richly varied tone and dynamic phrasing” (Baltimore Sun), and a “piano technique where difficulties simply do not exist” (Calgary Sun). The Boston Globe found his interpretation of his signature piece, Pictures at an Exhibition, to be “a performance that could annihilate all others one has heard.” And the Birmingham Post wrote that “his intensely responsive reading was shot through with a vein of constant fantasy, whether musing or mercurial.” Ever since winning the Gold Medal at the Artur Rubinstein Piano Master Competition and the First Prize at the Sidney International Piano Competition, Korsantia’s career has taken him to many of the world’s major concert halls, collaborating with renowned conductors such as Christoph Eschenbach, Gianandrea Noseda, Jansug Kakhidze, Valery Gergiev, and Paavo Järvi, with such orchestras as the Chicago Symphony, Kirov Orchestra, RAI Orchestra in Turin, The City of Birmingham Symphony, Cincinnati Symphony, and Israel Philharmonic.

Lauded for his luminous projection, lyrical sensitivity, and brilliant coloratura, American-Canadian tenor Lawrence Wiliford is in high demand in concert, opera, and recital repertoire. 2018-19 season highlights include a performance of Mozart’s Coronation Mass with Les Violins Du Roy, performing a new work by Zachary Wadsworth with Chor Leoni Men’s Choir, Handel’s Messiah with the Phoenix Symphony, Mozart’s Mass in C Minor and Bach’s St. John Passion at the Bach Festival Society of Winter Park, and Bach’s St. John Passion with Luminnous Voices. Recent appearances include Messiah with the Louisiana Philharmonic, Philharmonia Baroque Orchestra, Toronto Symphony, and Tafelmusik Baroque Orchestra; the Evangelist in St. Matthew Passion with the Calgary Philharmonic, Orchestre Métropolitain, and Toronto Bach Consort; Bach’s Christmas Oratorio and Haydn’s Lord Nelson Mass with the National Arts Center Orchestra; and Beethoven’s Mass in C-Major and Stravinsky’s Pulcinella with the Houston Symphony.

Steven Tharp has been praised by Opera News for the "bel canto flexibility and sweetness" of his voice, while the New Yorker has described his voice as “strong, free, and forward in tone, verbally sure, lyrical in utterance.” In the 2017-18 season he sings as soloist in Handel’s Foundling Hospital Anthem with the Grand Rapids Symphony and in Haydn’s The Creation with the Wichita Symphony Orchestra. Recently he sang Britten’s War Requiem with the Winnipeg Symphony, Verdi’s Requiem under the auspices of the Defiant Requiem Foundation in New York and Oklahoma City, and Beethoven’s Symphony No. 9 with the Wyoming Symphony.