David Jolley has thrilled audiences throughout the world with his “remarkable virtuosity” (New York Times), and has been hailed as “a soloist second to none” by Gramophone Magazine. He has traveled extensively in North and South America, Europe, East Asia, and Japan, sustaining an active performance career. A chamber artist of unusual sensitivity and range, Mr. Jolley has frequently collaborated with such groups as the Kalichstein-Laredo-Robinson Trio, the Guarneri Quartet, the American String Quartet, the Beaux Arts Trio, Musicians from Marlboro, and the Chamber Music Society of Lincoln Center. Mr. Jolley is currently a member of the virtuoso wind quintet Windscape; Trio Valtorna, with violinist Ida Kavafian and pianist Gilles Vonsattel; and The New York Brass Arts Trio (BAT), with trumpeter Joe Burgstaller and trombonist Haim Avitsur. Mr. Jolley was for five years a member of the Fleisher-Jolley-Tree-O, with violinist Michael Tree and pianist Leon Fleisher. He was also a founding member, now Emeritus, of the Orpheus Chamber Orchestra, with whom he toured widely and made over two-dozen recordings for the Deutsche Grammophon label.

Steven Tharp has been praised by Opera News for the "bel canto flexibility and sweetness" of his voice, while the New Yorker has described his voice as “strong, free, and forward in tone, verbally sure, lyrical in utterance.” In the 2017-18 season he sings as soloist in Handel’s Foundling Hospital Anthem with the Grand Rapids Symphony and in Haydn’s The Creation with the Wichita Symphony Orchestra. Recently he sang Britten’s War Requiem with the Winnipeg Symphony, Verdi’s Requiem under the auspices of the Defiant Requiem Foundation in New York and Oklahoma City, and Beethoven’s Symphony No. 9 with the Wyoming Symphony.

The talented and versatile American tenor, Frank Kelley, has performed in concert and on opera stages throughout North America and Europe, garnering plaudits and a loyal following. The Boston Musical Intelligencer has observed, “Kelley’s burnished tone was just right…. His sensitivity to the texts and the shifts of mood were superlative.” In the 2017-18 season he is soloist in Britten’s War Requiem with Music Worcester, Inc. and in Carlisle Floyd’s Prince of Players in a return to Florentine Opera.

Performing in such major venues as Carnegie Hall, Jordan Hall, Disney Hall, Prague’s Smetana Hall, and Vienna’s Stefansdom, American contralto Emily Marvosh has been gaining praise for her “flexible technique and ripe color,” “sterling voice,” and “tone that [has] the velvety soulfulness of a cello”. Her 2017-18 season currently includes two appearances as soloist in Handel’s Messiah: at the National Cathedral in Washington, DC and in a return to the Rhode Island Philharmonic Orchestra. She also sings as soloist in Beethoven’s Missa Solemnis with Boston’s Cantata Singers. A regular member of the renowned vocal ensemble, Seraphic Fire, Miss Marvosh can be heard on their recent GRAMMY-nominated recording of Brahms’s Ein Deutsches Requiem. Personal awards include the prestigious Adams Fellowship at the Carmel Bach Festival, the American Prize in the Oratorio and Art Song divisions, and second place in the New England Regional NATSAA competition.

Ute Lemper's career is vast and varied. She has made her mark on the stage, in films, in concert and as a unique recording artist. She has been universally praised for her interpretations of Berlin cabaret songs, the works of Kurt Weill and Berthold Brecht and the French chanson book, as well as her own compositions and the more jazz influenced collaborations and works. In the world of theater, Ute made her mark with her portrayals on Broadway, in Paris and in London's West End.